荣耀六十年1938

• 正片

  52赫兹的鲸鱼

  杉咲花,志尊淳,宫泽冰鱼,小野花梨,桑名桃李,余贵美子,倍赏美津子,真飞圣,池谷伸枝,金子大地,西野七濑

• 更新15

  情深不悔，再爱难为

  舒佩佩,岳华,王侠,叶灵芝,詹森

• 超清

  绝世战魂

  黄宥天,朱丽岚,金玄雨,赵熠洋,

• 更新至04集

  老家伙

  张国立,王刚,张铁林,周涛,张昊唯,孙安可,王自健,刘佳,毛毅,刘恩尚,高晓菲,曲高位,张博,于慧,尤浩然,王宸心

• 正片

  半糖初恋

  孙毅,徐诗琪,巩汉林,金珠

• 抢先版

  荧屏在发光

  贾斯蒂斯·史密斯,布里盖特·伦迪·佩恩,丹妮尔·戴德怀勒,弗里德·德斯特,伊恩·福尔曼,海伦娜·霍华德,Lindsey,Jordan,康纳·欧麦利,Emma,Portner,Madaline,Riley,埃博·本森,迈克尔·C·莫罗纳,Danny,Tamberelli,Timothy,Griffin,Allan,泰勒·迪恩·弗洛雷斯,伊丽莎白·斯科佩尔,Marlyn,Bandiero,Haley,Dahl,Raina,Block,Bailey,Wollowitz

• 更新HD中字

  美丽人生1997

  Martin,Sperr,Angela,Winkler,汉娜·许古拉

• 正片

  大“反”派

  包贝尔,李嘉琦,周大勇,马旭东,王喳喳,孔梓柔,克拉拉,于洋,魏翔,贾冰,杨皓宇,尹正,王迅,常远,文章,王成思,张一鸣,王天放,吕严,张百乔,滕哲,张祐维,德柏

• HD

  淫妖豪情

  钱小豪,吴家丽,西协美智子

• 正片

  咖啡桌

  David,Pareja,埃斯特法尼娅·德·洛斯桑托斯,Josep,Maria,Riera,克劳迪娅·里埃拉,埃杜阿多·安图纳,Gala,Flores,

• HD

  我亲爱的祖国电影版

  萨拉·阿里·汗,亚历克斯·奥内尔,埃姆兰·哈希米

• HD

  神探修尔之洛桐的神秘力量

  潘春春,巴图

Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as ElizabethSixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor详情